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Tuning Timbre Spectrum Scale
39 Tomte 4 5/5/2025, 4:29:22 PM sethares.engr.wisc.edu ↗
The timbre of instruments largely due to the harmonics that they exhibit, and for natural instruments these tend to be simple whole number ratios that we replicate in our scales in just temperament, and approximate more flexibly in equal temperament.
I had never considered what scales a synthetic sound with unfamiliar harmonics would sound best in.
Edit: Not even synthetic instruments, but Gamelan instruments too! Oh so cool, I've seen many Gamelan performances and its very exciting as a musician to hear such a rich and different paradigm.
Turning the attack up removes the pluck, setting the other three short makes anything percussive, and you can get weirdness if you mess with decay and release with echo / delay effects.
I should sleep, this was way harder to explain than it should have been.
Example, harp has a sharp attack, and real long decay, sustain, and release. To make that a pizzicato violin, you snap the decay and sustain to nothing, and leave a little release. Now your harp sounds like a violin.