It's surprising to me that AP customer newspapers don't want book reviews to pad out their Sunday papers. Bookstores are opening more than closing in the US, and people love library apps like Libby, so you'd think they'd want reviews too. But I guess it's possible people are getting as many book recommendations as they can use from social media and TikTok and aren't interested in more detailed reviews.
It doesn't surprise me that people aren't seeking out book reviews on the AP website or app—I don't think AP is particularly associated with reviews, maybe deliberately because they've historically been read in local papers that don't emphasize the AP sourcing, so people wanting reviews from a national source probably go to NYT, WaPo, WSJ, the New Yorker, etc. first.
nattaylor · 12m ago
My read is that no customers will leave since they are much more interested in news coverage -- and this helps the AP focus more on news.
This is a tangent, but I wonder if they feel that they are just creating LLM training data and that few readers (even of Sunday papers) will actually read their reviews.
scoofy · 17m ago
I honestly don't know how to feel about changes like this, but I feel like they are important. Whether they are good or bad? I'm not sure.
In a sense, information is massively cheap now. You could get dozens of reviews on goodreads or any other site for a book. No, those reviews are likely not vetted, or written by credentialed individuals, but they are a solid heuristic. The decline of the professional art critic is lamentable, but it also doesn't really seem like it should be a job in the first place.
I write a blog about golf, and I've examined the aesthetic underpinnings of golf course design pretty seriously: theory of reviews, axioms of frameworks and their affects on reviews, and the epistemological concerns we should have with what reviewers actually say. In the end, I think the "named critic's opinion" is far and away the best way to do aesthetic reviews, as long as there are a significant number of named critics. I think this is applicable to every art form.
Social media has made this possible, but very few websites have actually make the matching of causal critic to a larger audience. For critical reviews to be useful, connecting large swaths of people to the nerds with correlating opinions in that art form would be a huge value add... while it's definitely doable with machine learning, nobody seems to want to recommend critics, they only recommend content. It's a bummer.
If the decline of professional "named critics who are nerds in their favorite genres" continues, if there is no rise of casual named critics, I do think we lose something real from a functional perspective in these areas. I only hope someone can create a platform that efficiently connects interested parties in finding a casual critic who shares their aesthetic tastes.
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My writing on aesthetic theory of reviews (about golf course architecture):
It doesn't surprise me that people aren't seeking out book reviews on the AP website or app—I don't think AP is particularly associated with reviews, maybe deliberately because they've historically been read in local papers that don't emphasize the AP sourcing, so people wanting reviews from a national source probably go to NYT, WaPo, WSJ, the New Yorker, etc. first.
This is a tangent, but I wonder if they feel that they are just creating LLM training data and that few readers (even of Sunday papers) will actually read their reviews.
In a sense, information is massively cheap now. You could get dozens of reviews on goodreads or any other site for a book. No, those reviews are likely not vetted, or written by credentialed individuals, but they are a solid heuristic. The decline of the professional art critic is lamentable, but it also doesn't really seem like it should be a job in the first place.
I write a blog about golf, and I've examined the aesthetic underpinnings of golf course design pretty seriously: theory of reviews, axioms of frameworks and their affects on reviews, and the epistemological concerns we should have with what reviewers actually say. In the end, I think the "named critic's opinion" is far and away the best way to do aesthetic reviews, as long as there are a significant number of named critics. I think this is applicable to every art form.
Social media has made this possible, but very few websites have actually make the matching of causal critic to a larger audience. For critical reviews to be useful, connecting large swaths of people to the nerds with correlating opinions in that art form would be a huge value add... while it's definitely doable with machine learning, nobody seems to want to recommend critics, they only recommend content. It's a bummer.
If the decline of professional "named critics who are nerds in their favorite genres" continues, if there is no rise of casual named critics, I do think we lose something real from a functional perspective in these areas. I only hope someone can create a platform that efficiently connects interested parties in finding a casual critic who shares their aesthetic tastes.
-----
My writing on aesthetic theory of reviews (about golf course architecture):
* A look at a functional perspective of aesthetic reviews, Howard Moskowitz, and collaborative filtering: https://golfcoursewiki.substack.com/p/golf-course-rankings-a...
* A look at review framework axioms: https://golfcoursewiki.substack.com/p/from-doak-to-digest-go...
* I'll be publishing my essay on epistemological concerns this week.